![]() There isn't anything about this approach that is necessarily groundbreaking, but the mixture of past practices that results here has a fairly unique flavor, even when taking into account how obvious of a nod Small's deep vocal barks are to Chris Barnes and Johan Hegg.Įach song found on here manages to be engaging and entertaining while still dwelling upon some of the more obvious cliches that go with a parody. Songwriter and guitarist/vocalist Brendon Small has taken about as many cues from Brian May and Adrian Smith as he has the ongoing Scandinavian melodeath scene and occasional technical nods to Malmsteen (which tend to be more a staple of Finnish melodeath, ironically enough), resulting in a collection of songs that are wider in scope and quite credible, in contrast to the novelty-based and even ditty-like character of earlier works. The high level of layered guitar harmonies and occasional keyboard chime-ins create an intricate atmospheric foil to the typical heaviness of the rhythm section and gallop-happy riffs, resulting in something so dense and compressed in sound as to pass for theatrical. In many respects, this album underscores melodic death metal's long professed affinity with older styles of metal and hard rock, particularly that of Iron Maiden and Queen. Putting aside the comical side of this project is extremely difficult, especially given that the earlier LP offerings from the show struggled to function as stand-alone albums, not to mention were mired in production issues in the case of the debut, but with the passage of time has come a level of experience that is quite well reflected in Dethalbum III, so much so that it could stand toe to toe with some of the recent offerings of Amon Amarth, Children Of Bodom and Arch Enemy outside of the televised medium. ![]() To be fair, there were some that were initially annoyed or even outright bothered by how Spinal Tap originally skewered metal's earlier adherents, and perhaps with the passage of time more may come to warm up to the said fictional band's more recent melodeath offshoot. Dethklok could be best summed up as an uncomfortable joke within metal's rag-tag community, one that some would laugh at publicly as just good fun at our own expense, while others were somewhat annoyed at this fictional band's popularity relative to actual bands that were paying their dues on the road in Europe throughout the nineties and 2000s.
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